Ten Textile Talents

The exhibition ”Ten Textile Talents” runs between 6 Februari – 13 March, 2018 at Svenskt Tenn in Stockholm. Students from five international design schools has been invited to show their interpretations of classic Josef Frank designs. The result is amazing!

The talented designers are Amanda Andersson and Lisa Englund and from Konstfack University of Arts, Crafts and Design (Stockholm, Sweden), Chloe Flint and Sam Wilde from Royal College of Art (London, UK), Haruka Udo and Kotone Utsunomiya from Tama Art University (Tokyo, Japan), Julia Svantesson and Malin Westman from The Swedish School of Textiles (Borås, Sweden) ad Cassie McGettigan and Charlotte Fairless from Rhode Island School of Design (Providence, USA).

Svenskt Tenn have chosen three patterns to be part of their collection:

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Chintz by Lisa Englund for Svenskt Tenn (2018). Cotton. This well drawn pattern comes in black/white or white/black. It is beautiful not only as table cloth or curtain…I’d love to see this pattern as a bed spread or huge cushion! Photo copyright Svenskt Tenn.

Chintz by Lisa Englund 2018
Chintz by Lisa Englund for Svenskt Tenn (2018). Cotton. The designer was inspired by Joseph Frank’s pattern US Tree (1943–1945) which is based on a straight, continuous stem with the repeat moving only upwards, not sideways. Frank added organic shapes on a linear basis. Lisa Englund combine the form idea of Frank with experiences from a stay in India where she studied India’s chintz tradition and its hand-painted or block-printed fabric which was exported to Europe during the 1600-1700s and become an important part of the Swedish textile heritage. Photo copyright Svenskt Tenn.

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The Story of Flowers by Kotone Utsunomiya for Svenskt Tenn (2018). Velvet. Photo copyright Svenskt Tenn.

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Dear Josef Frank, by Haruka Udo for Svenskt Tenn (2018). Linen. In a gifted and inspired way Haruka Udo transform the ”spark of life” she experience with Frank’s designs into an organic pattern with a strong graphic feel. Photo copyright Svenskt Tenn.

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