Archive | Wästberg

Falling

…through days and nights as the Stockholm Design Week has been up and running. Good thing is the Scandi design world definitely aim on sustainability. Not as a trend, but as a real concern about climate change. Several brands did slow down and did not exhibit, others did but added ideas and discussions on sustainability to the concept. Some chose to work with developments in existing collections instead of presenting news.

The work to create sustainability in the design world has barely started and it’s gonna take some time before we touch firm ground. Where we’ll end up is hard to tell but one thing is clear: the industry must reconsider its position as ”designer of the future”, and speed up the way to produce, sell, use and recycle design in a sustainable way. Talking is good but action is needed.

Here’s some highlights from the Stockholm Design Week and Stockholm Furniture & Light Fair 2019:

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w102 chipperfield (the extended family) by David Chipperfield for Wästberg (2019). Solid brass, dimmable, energy class A+. Photo copyright Wästberg.

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w102 chipperfield (the extended family) for Wästberg (2019), sketch by designer/architect David Chipperfield. Photo copyright David Chipperfield.

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Bespoke and locally produced by gifted craftsmen: here a modern kitchen (2019) in a historical building. Cabinets in dark stained oak, top in Kinnekulle limestone and an asymmetric shelf. Photo copyright Nordiska kök.

 

fileSuspence pendant by GamFratesi for Fritz Hansen. The new colour Pale Pearl lends a soft egg-shell quality to the minimalistic classic. Photo copyright Fritz Hansen.

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Iittala. Jasper Morrison. Raami. A fine exhibition about finding joy in the simplistic but qualitative every day. Photo copyright Iittala.

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Baux Pulp Acoustic Panel by Form Us With Love for Baux (2019). The patterns are inspired by origami and the 100% bio based product comes in colouring created by using different amounts of natural wheat in the material. The panel is the first in the world to uncompromisingly combine high-performance properties of sound absorption, safety, and durability with modern aesthetics and sustainability. Cradle-to-cradle at its best! Photo copyright Baux.

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Asplund curated a small, intimate exhibition in their shop at Sibyllegatan in Stockholm and told the story of their cabinet Snow, designed by Jonas Bohlin and Thomas Sandell in 1994. The cabinet celebrates 25 years and the producer has made several important developments to turn it into a Scandi sustainability icon. For the anniversary Snow comes in the colour pale pink. Photo copyright Asplund.

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Avavick stool by Katja Pettersson for the recently restored Nationalmuseum in  Stockholm. Produced by Swedese. Avavick has its name from a dialect from Storuman in the north of Sweden, and it means ”top heavy”. The expression with a weighty seat and delicate legs is fab! Photo copyright Nationalmuseum.

Architectual moves, Asplund, Compassionates, Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Form Us With Love, Iittala, Louise Campbell, Wästberg 2019-02-14

Exhibition at Stockholm Design Week

The exhibition ”Mellan handen och ögat” is up and running at fab Svensk Hemslöjd in Stockholm. More than 60 producers present new and old work. If in Stockholm come and experience handicraft and craft in a design context! Produced and curated by Cia Wedin in collaboration with Jenny Berge/Svensk Hemslöjd.

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Stitch carpet by Pia Wallén for Asplund Collection, Ticka Bowls by Jennie Adén. Photo copyright Anna Kern/Svensk Hemslöjd.

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Flooring Elements by Bolon, Bowl table by Andreas Engesvik for Fogia, wool and mittens from Svensk Hemslöjd. Photo copyright Anna Kern/Svensk Hemslöjd.

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Deer by Gunnar Johnsson and Dalahorse by Nils Olsson. Photo copyright Anna Kern/Svensk Hemslöjd.

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Bowl by Åke Landström, Spoon by Andreas Heurlin, table cloth Våga by Växbo Lin. Photo copyright Anna Kern/Svensk Hemslöjd.

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Bolsterkudde cushion från Klässbols, Kranium wooden skull by Acne JR. Photo copyright Anna Kern/Svensk Hemslöjd.

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Ekblad cushion by Maria Åström, Stockholm No 1 chair by Larsson korgmakare, flooring Elements by Bolon, Book socle by Jessica Signell Knutsson. Photo copyright Anna Kern/Svensk Hemslöjd.

Andreas Engesvik, Anna Kern, Asplund, Bolon, Broberg & Ridderstråle, Bruno Mathsson, Calle Forsberg, Carina Seth Andersson, Compassionates, Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Fogia, Friends, Ikea, In the Season, Iris Hantverk, Maria Åström, Pia Wallén, Scandimood, Signe Persson Melin, Wästberg 2019-02-04

Office of tomorrow

Several Scandi brands attended Orgatec 2018 – the international fair in Cologne where furniture for the contemporary and future office space were on display. Swedish Wästberg exhibited as partner to Vitra within their ”Work Concept” space. And launched lighting with a high-tech, minimalistic and environmental friendly design. When the traditional office space and interior is under change, the Scandi brands establish a conceptual take on the office: Wästberg use form and function to bring lighting to a level where the lamp is not a fixed structure but a multifunctional nice obejct you may bring with you into different spaces over time.

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w182pastille by Sam Hecht and Kim Colin/ Industrial Facility for Wästberg (2018). Bio-polyamide based on 60% biologically and recycable material from the castor plant. Dimmable from a single LED rather than an array, which reduces heat as well as energy use. This is achieved by reaching a state of equilibrium between its single light source, a large reflector and large diffuser. Photo copyright Wästberg.

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w182pastille has a construction that allows a variety of ‘surfaces’ to be illuminated. Different to task lamps that illuminate in a focused way; or table and pendant lamps that provide ambient light, the lamp sees environments as surfaces to softly illuminate. The w182 pastille is able to freely articulate between surfaces by rotating up, down and around. Photo copyright Wästberg.

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w182pastille by Sam Hecht and Kim Colin for Wästberg (2018). Comes in colours Oxide Red, Olive Green, Soft White and Graphite Black. Photo copyright Wästberg.

Architectual moves, Contemporary Scandi, Eco Aesthetics, Fab Swedes, Wästberg 2018-11-07

Closing in on the Design Week!

In a few days the Stockholm Furniture & Light Fair 2018 will be up and running. My mailbox is filling up with interesting previews of ideas and possibilities to experience and learn more about design! Here’s some brand and designer news to keep an eye on during the Design Week:

Designtorget in collaboration with students from Beckmans College of Design in Stockholm. Morfar wheat warmer by Isabel Wagner and Olivia Tognelli Brontén is a real teaser with its ”grandpa + cat + relaxing + eco feel good” interpretation!

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Wästberg + Dawid”Farewell to the Cave” jubilee celebration (Wästberg ten years), art exhibition by fab photographer Dawid and launch of a new book by Magnus Wästberg. Product launch? None!

Articles = Cube by Carina Seth Andersson and Socialclub by Anna von Schewen. Two exceptionally gifted designers. Two products. A launch and an exhibition.

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Iittala Design Talk – Colours for Living where Jeremiah Tesolin (Creative Director, Iittala), Matti Klenell (Interior designer), Lotta Agaton (Interior designer) and Katri Saarikivi (Researcher of cognitive near science, topic colour and emotion, Helsinki University) take on a discussion on the ”power of colours and how they inspire better living within our home”.

Jessica Signell Knutsson; elegant but bold minimalism by the Swedish furniture designer from her designstudio in Barcelona. Exhibited by Astrid.

Bolon. In situ at several exhibition spaces at the Fair we’ll experience the magic of Bolon flooring; in ”Thammada” – an installation by Paola Navone, Guest of Honor at the Stockholm Furniture & Light Fair 2018; in the exhibition and café by Nick Ross for the Stockholm Furniture & Light Fair Greenhouse area; in ”Panorama” – an exhibition on democratic architecture.

Gärsnäs. New work by David Ericsson, Färg & Blanche and others, displayed in a space designed by TAF architects.

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Architectual moves, Bolon, Book Cradle, Carina Seth Andersson, Compassionates, Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Iittala, TAF, Wästberg 2018-01-29

08.22 traditions

December 3rd in Stockholm Old Town and at sunrise 08.22 we lit a candle and have some tea and gingerbread while enjoying the scent of hyacinths. Six hours later the sun sets but by then you´ll see paperstar lighting in every other window, and outdoors garden torches are burning.
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The essence of a stylish Stockholm winter afternoon: Bamboo Chair by Viggo Boesen (1936), table Utö by Axel Einar Hjorth (1930s) and candle stick Holocene no 3, by Jasper Morrison for Wästberg (2017). Photo copyright Wästberg.

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Hyacinths are everywhere! Glass by Ulla Forsell. From a piece by Cia Wedin for ELLE Decoration. Photo copyright Titti Erksell-Barker.

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Paper star Stella from Watt & Veke, handmade in environmental friendly produced paper. Size 80 cm. Photo copyright Watt & Veke.

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…and garden torch Marfa light, by Claesson Koivisto Rune for Smaller Objects. Galvanized, powder coated steel, 12x12x65 cm. Photo copyright Smaller Objects.

Claesson Koivisto Rune, Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Scandimood, Wästberg 2017-12-03

Precious days!

During the first week of June the scent from the old lilac tree is all over our urban garden and we take every opportunity to enjoy a fika under its green foliage. Every year the amethyst colour of the flowers evoke a feel of wonder in me; it is something about that colour! This kind of colourful is daring in a Scandi interior. But try! If only with a bunch of flowers. And see how it adds to a contemporary feel!

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Lilacs are common in Stockholm, here in a garden in Äppelviken. Rattan chair 230 by Larsson Korgmakare, blanket Crux blanket (1991) by Pia Walllén. Styling Cia Wedin. Photo copyright Johan Sellén.

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Wallpaper Westwood, digital print by Camilla Diedrich, table Shake by Jens Fager for Muuto (2009), chair Speed by Johan Lindstén for Johanson Design, lamp 081t1 by Claesson Koivisto Rune for Wästberg. Styling by Cia Wedin. Photo copyright Anna Kern.

Anna Kern, Contemporary Scandi, Environmental friendly, Fab Swedes, In the Season, Muuto, Pia Wallén, Wästberg 2017-06-02

Holocene by Wästberg

Fab masters of illumination, Wästberg, created the loveliest exhibition during Stockholm Design and Architecture Week. In the magical setting of Skridskopaviljongen Wästberg cherished fire as a light source. The Holocene collection consists of two oil lamps and one candlestick by designers Ilse Crawford, David Chipperfield and Jasper Morrison.

 

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The essence of a stylish Stockholm winter afternoon: Bamboo Chair by Viggo Boesen (1936),  table Utö by Axel Einar Hjorth (1930s) and contemporary candle light! I can imagine myself in that chair, wrapped in a cosy blanket, with a wool rug on the floor, teacup in my hand and… a pile of books to read. Candle stick Holocene no 3, by Jasper Morrison for Wästberg (2017). Photo copyright Wästberg.

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Holocene no 2 oil lamp by David Chipperfield for Wästberg (2017). Photo copyright Wästberg.

Holocene_No1_Ilse Crawford_02_Holocene no 1 oil lamp by Ilse Crawford for Wästberg (2017). Photo copyright Wästberg.

Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Friends, Wästberg 2017-02-15

The sculptural scandi lamp

The sculptural white lamp never goes out of fashion. It blends easily into any scandi interior and is a good example of visual sustainability.

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Io by Claesson Koivisto Rune for Fontana Arte (2015). Die-cast aluminium. Photo copyright Fontana Arte.

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Lampyre by Inga Sempé for Wästberg (2016). Opaline glass. Photo copyright Wästberg.

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Gatto by Achille and Pier Giacomo Castiglioni for Flos (1960). Steel, cocoon. Photo copyright Anna Kern. From a feature for Lantliv SE by Cia Wedin.

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Le KLint 101 by Kaare Klint for Le Klint (1944). Paper or lampshade foil. Photo copyright Le Klint.

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Tab by Edward Barber & Jay Osgerby for Flos (2008). Painted pressofused aluminium, multi-led diffuser in specially designed PMMA. Photo copyright Barber & Osgerby.

Anna Kern, Barber & Osgerby, Castiglioni, Claesson Koivisto Rune, Contemporary Scandi, Eco Aesthetics, Fab Swedes, Inga Sempé, Le Klint, Wästberg 2016-06-19

w163 Lampyre

Lampyre by Inga Sempé for Wästberg is made of opaline glass, emitting a calming light from base to top. The light can be adjusted from ”very bright to a phantomatic halo”. w163 Lampyre comes in two sizes. The large one is ideal as a solitary piece and will enlighten any space with softness. The smaller one will do well on a shelf or – following the Swedish habit – in a window to shine a friendly light to both the streets and in the home.

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w163 Lampyre by Inga Sempé for Wästberg (2016). Opaline glass. Dimensions: H498 mm x W380 mm, H310 mm x W238 mm. Photo copyright Wästberg.

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w163 Lampyre by Inga Sempé for Wästberg (2016). Lampyre is the french word for light-worm – perhaps an indication of how to interpret the environmental friendly aspects of Wästberg lighting. Let’s get close to nature with contemporary style! Photo copyright Wästberg.

Wästberg stand at Stockholm Furniture and Light Fair 2016
Wästberg stand at Stockholm Furniture & Light Fair 2016. With small gestures Wästberg created an inviting space where lighting comes forth as an important part of interior decoration. Contemporary Scandi at its best! Photo copyright Wästberg.

Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Friends, Inga Sempé, Wästberg 2016-03-13

Why Scandi? Well, why not!

There’re certain values underpinning the Scandinavian style. One is environmental friendly production which has a long tradition in the Nordic countries. But in 2016 environmental friendly is not enough. Now we are in for the whole story; we want to know how, from where, by whom and of what the product is made.

Transparency is another Scandi style quality. In the iconic design from the Modernism until now there’s no hiding of materials used. On the contrary, you can easily detect that a Wegner ”Y-chair” is made of solid wood and paper cord. You’ll also know from where the wood is taken and how the paper cord is produced.


Making of the Wishbone Chair aka ”Y-chair” by Hans J Wegner, designed in 1949 and in production by Carl Hansen & Son since 1950. Solid hard wood and paper cord. Video copyright Carl Hansen & Son.

The lack of ornament of the classics has blended with new colour schemes and materials and transformed into contemporary. It might be minimalistic, but it is a ”friendly minimalism” where the reduced form comes forth as visual sustainability.
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Marfa light, garden torch by Claesson, Koivisto, Rune for Smaller Objects (2015). Galvanized and powder coated steel. The dark anthracite grey colour also has a practical function – it is forgiving to the soot formed by burning. Photo copyright Smaller Objects.

Natural materials. In 2015 we learned that one of the most common materials of the Scandinavian and Nordic design, namely leather, is not as good as we thought. Instead the production of leather has proved multi toxic and carries a disturbing amount of abuse to and suffering by animals, humans and environment. We also learned that big scale production of wool is at risk becoming the next full scale disaster. Not long ago we also realized that production of cotton is a huge evironmental problem. Flax is popping up as a possibility for the future. But the Scandi designer of today also do hi-tech, perhaps most obvious with the lighting brands where the heritage of the Scandinavian traditions is used to create world leading design.

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From growing flax to harvesting, preparing and spinning it into linen. Manhattan kitchen towel by Peter Condu for Klässbols (1981). Photo copyright Klässbols.

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Busby light by Sam Hecht & Kim Colin/Industrial Facility for Wästberg (2015). The contemporary Scandi lamp is no longer a subject of electricity but of electronics. Printed circuit boards, micro-chips, diodes and interfaces are now the staple ingredients, giving us greater control, conserving energy and providing longer lifespans. Photo copyright Jara Varela/Wästberg.

Carl Hansen & Son, Claesson Koivisto Rune, Contemporary Scandi, Eco Aesthetics, Environmental friendly, Fab Swedes, Hans J Wegner, Videos, Wästberg 2016-01-17

French esprit!

Inga Sempé knows how to bring modernity and esprit into her design. The simple, almost naïve form comes alive with beauty and a great deal of humour; You´ll never get bored in the company of a Sempé design. (Isn’t that a good argument for sustainability!). Last week I worked with w153/Île, Sempés new lamp for Swedish Wästberg (2015). Also awarded ”Best Lamp Design 2015” by Swedish mag Residence. Well deserved!

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”Une petite lampe à pincer multifunction”…Île clamp lamp for Wästberg (2015) has a flat base, allowing it to stand on a flat surface. The lamp can also be mounted on the wall. Being a LED lamp it doesn’t get warm and as such it is safe to clamp on your tabletop, a shelf, a thick book, the windowsill…Photo copyright Studio Sempix.

Sneakpeak setting by Cia Wedin Photo Anna Kern
Behind the scene with w153 Ìle by Inga Sempé for Wästberg: Here’s a sneak peak from when we started to build a setting with Inga Sempés new lighting for Wästberg. The clamp lamp sits perfectly well on Norråker table by Ikea (2015). From a coming piece by Cia Wedin for Lantliv SE. Photo copyright Anna Kern.

Some more ingenious work by Inga Sempé:
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Österlen chair by Inga Sempé for Gärsnäs. Photo copyright Gärsnäs.

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Vapeurs colorées, lamp by Inga Sempé for Moustache (2012). Pleated Tyvek and pleated iron sheet. Photo copyright Moustache.

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Beaux Fixe, armchair by Inga Sempé for Ligne Roset (2015), model. Photo copyright Studio Sempix.

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Giboulée, blankets by Inga Sempé for Röros Tweed (2014). Photo copyright Studio Sempix.

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Collo Alto, cutlery (set) by Inga Sempé for Alessi (2015). Sketch. Photo copyright Inga Sempé.

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Ruban mirrors by Inga Sempé for Hay (2015). Photo copyright Studio Sempix.

Contemporary Scandi, Eco Aesthetics, Environmental friendly, Inga Sempé, Röros Tweed, Scandimood, Wästberg 2015-11-19