One mega classic icon of Scandinavian design is the Egg™ chair by Arne Jacobsen (1958). Originally designed for the SAS Royal Hotel in Copenhagen, and in production by Fritz Hansen. This comfortable piece of furniture is now available in the stunning Re-Wool fabric by Margrethe Odgaard for Kvadrat. Re-Wool was developed in an upcycling project by Kvadrat and their UK manufacturer Wool-tex (a mill specialized in the production of natural wool textiles).
Re-Wool is made with 45% recycled wool which reduces the products environmental impact as the recycled fibres have already been processed and thereby takes farming, transportation, scouring and dyeing out of the equation. It complies with EU Eco Label ”The Flower”.
Egg™ chair by Arne Jacobsen for Fritz Hansen (1958). Upholstred in Re-Wool by Margrethe Odgaard for Kvadrat (2019). Photo copyright Fritz Hansen.
Re-Wool fabric by Margrethe Odgaard for Kvadrat. Up-close you see how the new wool added to the vibrant mixed waste-wool base create a feel like ”bright stitching on dark fabric”. It is a masterpiece of new innovation, surely to become a classic. Alongside upholstery wool fabrics like Hallingdal by Nanna Ditzel (1965). Photo copyright Kvadrat.
It’s one of those magic winter days, with huge snowflakes drifting slowly (like bumble bees!) from a clear blue sky. This is the time of the year when one feel strongly connected to Nature. To the deep lakes, the vast forests of pine and fir, to the high peaks and the majestic sea.
In Stockholm the annual Design Week is up and running and this year the Scandi brands are taking steps toward collaboration, local production and innovative new technique. The heritage of the North is celebrated with a downsized approach to production and consumption. Several brands launch iconic design in updated versions. With very delicate alternations of the look, such as changing the formula of a paint…even an icon like the Wishbone Chair (a k a Y-chair) by Hans J Wegner comes forth like contemporary. Who’d have thought this chair was designed in 1949!
Wishbone chair by Hans J Wegner for Carl Hansen & Son (1949) in a a fresh deep blue colour (2021) carefully applied with matte ”waterpaint” finish on solid beech wood. Papercord webbing. Photo copyright Carl Hansen & Son. Love it!
The sweet Snow cabinet by Thomas Sandell and Jonas Bohlin for Asplund (1994) with laquered base. Does it change the look? Well…yes! From traditional (natural birch wood) to subtle minimalistic (white on white). The playful Snow transform into an elegant and grown up feel! How unexpected! Photo copyright Asplund/Länna möbler.
String pocket shelf by Nisse Strinning for String Furniture (2005) is a cherished little gem in many Swedish homes. In 2021 a new deep green Sage tone (developed by String Furniture in collaboration with Swedish stylist Lotta Agaton) give it a very contemporary Scandi look. Beautiful! Photo copyright String Furniture.
”Don’t make waste” is the most important trend 2020. And the Scandi brands are good at taking care of and developing what they’ve already got. One example is Dinesen – a family-owned company in Denmark, founded in 1898. With their ”passion for wood and respect for nature” Dinesen do not only manufacture beautiful flooring, but also work with visuality as an important part of sustainability. A few weeks ago Hans Peter Dinesen (5th generation Dinesen) and Mikkel Vestergaard (design and material developer) launched Dinesen Collection. A series of furniture and interior objects designed to activate your senses through aesthetic sustainability. The heartbeat of the collection is to ”draw nature’s calm presence in and spark curiosity about wood as a material”. Take a look!
DS001 Table and DS101 Bench by Dinesen Collection (2020). Solid oak or Douglas (fir). The table and bench comes in three lengths. Available in natural wood treated with linseed oil. Or linseed oil mixed with red or green natural pigment. Photo Jonas Bjerre-Poulsen of Norm Architects.
DS301 Daybed by Dinesen Collection (2020). Solid oak or Douglas (fir). Available in natural wood treated with linseed oil or linseed oil with red or green natural pigment. The daybed can be ordered with cushions, here with textile from the Vidar 3 collection by Kvadrat. Photo Jonas Bjerre-Poulsen of Norm Architects.
DS401 Stand by Dinesen Collection (2020). Solid oak or Douglas (fir). Combined with DS410 Table Planks you may set up a desk unit, a dining table or an extension to your everyday dining table. Photo Jonas Bjerre-Poulsen of Norm Architects.
DS201 Stool by Dinesen Collection (2020). Solid oak or Douglas (fir). Here treated with linseed oil and natural green pigment. Cushion available. Photo Jonas Bjerre-Poulsen of Norm Architects.
Summer in Stockholm Old Town has been unfolding gracefully during the past three months. One fine project for me was to co-edit a special issue of Selvedge Magazine on ”Nordic Design and Sustainability”. Scandi brands likeBolon, John Sterner, Kvadrat, Pia Wallén, Studio Brieditis & Evansand many more, share with you how they work with sustainability. Don’t miss out!
Cover ”Selvedge Magazine no 96”. Photo by Malin Lauterbach for Swedish fashion and lifestyle brand John Sterner.
Summer has arrived to Old Town Stockholm! There’s a scent of lilacs floating in the air and we sit outdoors with our ”fika”, enjoying the sun. It is very quiet in the city. The pandemic has put restrictions on us stockholmers; we’ve worked from home since mid March. And are not supposed to use the metro or stay near other people. In daily life people bring out their bike, stick to the rules and smile or wave from a distance. The Scandi brands keeps up their dedicated work to achive sustainable design. Later this year we’ll see a series of recycled every day glass items by Iittala, and other brands follow suit, letting slow and local inte their mind set.
Badhusstolen 230 by John Larsson for Larsson korgmakare (1940). Crux Blanket by Pia Wallén. From an editorial piece by Cia Wedin. Photo copyright Johan Sellén.
Make a difference: support Jo-Anne McArthur’s fundrasing for the coming book ”HIDDEN: Animals in the Anthropocene”, by We Animals Media. Contributions by McArthur as well as thirty acclaimed photojournalists, directing their cameralenses on the use and abuse of animals. WAM is based in Toronto, Canada.
Is Covid-19 the wake-up call we need go cruelty free? We know that killing and eating animals, especially in unsanitary ways, exacerbate the spread of disease. Factory farms and slaughterhouses, live markets and wet markets, livestock transport…These spaces help epidemics thrive. We also do know that lots of ”natural material” used for design objects origin from factory farming and practises harming not only animals but people and nature as well.
End the wild animal trade. End factory farming. Go CFD– Cruelty Free Design. Everywhere. In all countries. Now.
An interesting take on sustainability for the every day is Forgo, a new venture from Swedish Design Studio Form Us With Love. The aim of the project is to reconfigure basic personal care products, starting with handwash. As liquid personal care products mostly consists of water, excluding water make a difference when it comes to production and transport. But it also challenges our habits.
”Why ship it around in plastic bags and bottles when it’s possible to do better?” says John Lofgren, Creative Director at Form Us With Love. The pump function is driven by air and air + water is what make the liquid foam. Into a soft formula, easy to apply and with a natural or very discrete scent. Washed off with water it left nothing but comfort. And I was pleased that what goes into the drain makes no harm to nature.
The outer packaging of Forgo is made from recycled paper and cardboard. When ordering a refill it comes with three sachets, in the scents of your choice. One fragrance is distilled from timber yard scraps (wood actually!) and another from leftover peels and pulp from an organic juicing plant.
One sachet contains twelve grams of powder which makes a full bottle of foaming hand wash when adding 250 ml water.
Some handwork before handwash: Add water to the high tech natural soap powder and shake the bottle!
Forgo handwash by Form Us With Love (2020). Comes as powder in three scents. A reusable glass container with pump function is included with first order. Photo copyright Jonas Lindström Studio/Form Us With Love.
Stockholm Design Week is up-and-running and during its first day I was delighted to meet with four longtime favourites dressed up in lots and lots and lots of colour! Bolon, ever so fun and stylish! Montana, the very essence of sophisticated Scandi colour schemes. TAF, as orange and conceptual as ever. And Svenskt Tenn, where maximalism rules and you’re welcome to loose yourself in the eclectic world of Estrid Ericson and Josef Frank. It makes me happy to find contemporary interpretations of colour applied with such love and great skill!
Bolon do not present news this year. Instead they’ve digged into their existing collection and played with it, trying out new ”outfits” and stepping up on an imaginary stage. ”The Art of Performance” (2020) is a magical trip into the curious minds of sisters/third generation owners Annica and Marie Eklund. Inspiration is drawn from fashion, art as well as photography. And the result is an inspiring new take on sustainable flooring. Take a look:
”The Art of Performance” by Bolon (2020). Bolon flooring in new combinations, CO2 neutral production, certified by several environmental standards. Photo and video copyright Bolon.
At the launch at Montana, CEO Joakim Lassen presented Mini, created in collaboration with his father, the late Peter Lassen. With Mini the fab danes make room not only for personality but for accessability to qualitative design. Montana Mini comes with smaller proportions as the regular modular system, and not as many alternative units and colours. ”Today there’s already so many choices to face in our daily life”, says Joakim Lassen. And explains how Montana deals with new customer habits, like online shopping. ”When you’re buying furniture online it is not suitable with, let’s say, several shades of white to choose between”, says Joakim Lassen. ”To make it easier for our clients we’ve created a system of moduls with fewer parts, fewer colours, fewer choices”. Even so, less is as much Montana as ever and Mini cover most needs for storage in a home.
Montana Mini, by Peter and Joakim Lassen (2020). Available in 3 versions (open, closed, shelved), in 10 matching colours. The modules snap together with strong magnets securing that the storage i aligned, and maintaining the sleek, clean lines that is the trademark style of Montana. Photo copyright Montana.
TAF design studio, with founders Gabriella Gustafson and Mattias Ståhlbom, has made a strong interpretation of Svenskt Tenn and the premium segment of handmade furniture from Sweden. The sofa Famna (”Embrace”) is huge and heavy, stands steady on the floor and is a given ”piece of conversation”: Inspired by a generous comfy bed or classic bath-tub, and the feel when you slowly let yourself into the warm and comforting… to relax.
Famna, sofa by TAF for Svenskt Tenn (2020). Handmade construction and upholstering by O.H Sjögrens Furniture Factory in Tranås, Sweden. Comes in several textiles, from classic Brazil by Josef Frank to a luxurious orange velvet. Photo copyright Svenskt Tenn.
My yearlong project to reduce mycarbon footprint has come to its end and I’v reached my goal; a total below 1 tons CO2/year. Today 0.7 is my new starting point.* The challenge 2020 will be to keep the footprint at this level. The ”Reducing CO2” has been a follow up on my earlier sustainability projects like ”No Plastic” and ”No Food Waste”. And a possibility for me to go into detail and challenge my own habits.
In my business I’v recognized the beauty of 100% sustainable production, lending transparency and circular thinking into each and every project. Thank you dear clients who believed in me!
* The average CO2 emissions per capita for Sweden is app. 4.47 metric tons (2019).
Frösakull, the summer dwelling of Swedish furniture designer Bruno Mathsson (1907–1988), has been an inspiration for me during my aim to implement a sustainable lifestyle yet cherishing qualitative design and architecture. Simplicity at its best! Photo copyright Bruno Mathsson International.
Dear readers in Victoria, New South Wales, South Australia, Western Australia, Queensland, Northern Territories and Tasmania! Your beautiful country is on fire and the losses of humans, wildlife, livestock and property is immense. I am so sorry.
How to help: Support non-profit organizations working on spot to save fire victims, people as well as animals. And let this disaster be a reminder that sustainability is a process, not a concept. Take action against climate change! Now!
Australian Red Cross is very active with professionals and volunteers giving comfort to all those who are traumatised by the loss of life as they knew it.
Animals Australia and PETA Australia have vets and volunteers in the rescue line, dealing with horrifying sights, like 3000 dead sheap on one farm. Or miles on miles of burned corpses of kangaroos and cattle.
With younger supporters you can talk about the situation and go specific by helping the Koala Hospital, Port Macquarie NSW. Or the Baby Kangaroo Rescue Center in Alice Springs.
December is upon us and with only a few hours of daylight good lighting is important. Many Scandi brands use models from their archive alongside creating new design. How nice it is to find my favourite pendant by Alvar Aalto in production again!
Pendant Light A201 by Alvar Aalto for the library of Säynätsalo Town Hall in central Finland (1952). Standard white with brass details. In production by Artek (2019). Photo copyright Artek.
A201 by Alvar Aalto in situ at the the library of Säynätsalo Town Hall in Finland. Standard white with brass details. In production by Artek (2019). Photo copyright Artek.
Relaunching classics is a way to use what you’ve got and bring forth timeless quality. Sustainability in thought and action has always been a trademark of Artek. Pendant Light A201 Red by Alvar Aalto (1952) comes in a limited edition during 2020. Photo copyright Artek.