Recently we’ve seen a strong trend to showcase design in ”art spaces”, and vice versa. If done well design and art may learn from each other and also contribute to a discussion on what, why and how to put design on display.
In September 2017 a small exhibition opened at ArkDes, Sweden’s national centre for architecture and design, located in Stockholm: ”The HI-group. Craftsmanship in the plastic age” was commissioned by ArkDes, curated by Johan Örn and designed by TAF into the best design exhibition in Sweden in 2017. Absolutely fab! If you missed it, you may still enjoy the book/exhibition catalogue written by Johan Örn (curator of the collections at ArkDes) with graphic design by Johannes Molin. It is a splendid examination of the role of crafts in Scandinavian post-war furniture and interior design.
The HI-group was a Swedish collective of craftsmen and designers working across different fields and in different materials. The HI-group are now considered masters of craft, furniture and interior design from the 1960. Photo copyright Kristofer Johnsson & TAF.
A congenial selection of 30 objects, from furniture to photography, that had never been seen together before told a story of the renaissance of craft in an era more associated with modern, standardized materials. From exhibition ”The HI-group” at ArkDes, September – November 2017. Photo copyright Kristofer Johansson & TAF.
The logotype for the HI-group by Melin & Österlin for the exhibition in 1966 (red colour). Previously exhibition logotype colours: Blue (1963) and brown (1964–1965). We recognize the colours as typical for the time, yet they have a distinctive contemporary feel. Photo copyright ArkDes.
Book ”The HI-group and the Return to Craft – Swedish Furniture and Interiors 1960–1966”, by Johan Örn for ArkDes/Carlssons (2017). Graphic design by Johannes Molin.
From Sweden and the 60s archive to Japan where Marimekko plunge into a search for the spirit of print making.
”The Marimekko Spirit – Paavo Halonen / Maija Louekari / Aino-Maija Metsola” exhibition opened at the Ginza Graphic Gallery in November, and focuses on Marimekko’s younger-generation designers and the contemporary art of print making. It’ll be open until 13 January, 2018.
The second exhibition, ”Marimekko Spirit – Elämäntapa (暮らしぶり)”, opened at the Gallery A4 in December and will explore the dialogue between the Finnish and the Japanese lifestyles in the context of Marimekko’s design heritage. It’ll close at February 28, 2018.
For the exhibition ”Marimekko Spirit” at Ginza Graphic Gallery Marimekko-designers Paavo Halonen, Maija Louekari and Aino-Maija Metsola were invited to create one completely new, Japanese-inspired print design each, based on their own impressions of a country none of them had ever visited before. Photo copyright Keisuke Kawanami.
Diverse and stunning prints by the young Marimekko designers exhibited at Ginza Graphic Gallery (2017/2018). Photo copyright Keisuke Kawanami.
A glimpse of the design process: Marimekko designers exhibited at Ginza Graphic Gallery (2017/2018). Photo copyright Keisuke Kawanami.
…and at Gallery A4 in Tokyo you can experience the colourful world of Marimekko in a set including both sauna and a feel of the Finnish forests…
In Gustavsbergs Konsthall, 30 minutes east of Stockholm, fab Katja Pettersson (ex Front design group) examines ”Climate Anxiety. Guilt” in the exhibition ”Welcome Back”. Open until 28 January, 2018. As usual Katja Pettersson make a strong statement working with breathtaking ideas formulated within a sphere of likewise strong feeling (s), presented in a smart, smooth and visually design-orientated context. Don’t miss out!
Welcome Back poster by Stefan Engblom (2017). Due to the massive interest for the exhibition it has been prolonged until 28 January, 2018.
Overview ”Welcome Back”, exhibition by Katja Pettersson at Gustavsbergs Konsthall. Photo copyright Erik Undéhn.
”Earth: 100 square meters, cut unburned clay. Human footprint, our weight dries the earth.” Detail from ”Welcome Back”, exhibition by Katja Pettersson at Gustavsbergs Konsthall (2017/2018). Photo copyright Erik Undéhn.
Gustavsbergs Konsthall is Sweden’s only public gallery specializing in contemporary craft art and a leading venue for Swedish and international crafts. The gallery aims to increase public understanding of contemporary craft art and to promote discussion. The exhibition schedule features crafts in all types of materials, displaying current work by internationally recognized craft artists as well as the avant-garde of the younger generation. The gallery opened in 2007. During summertime you can visit by boat from Stockholm City.